Artist Benji Morino (benmorino.tumblr.com) was on his way to the 45th Annual Chicago Pride parade and festival in Lakeview.
How would you describe your current style?
Rave girl / motorcycle daddy / club punk baby.
Is it important for you to be distinctive?
It is important to me in terms of how it’s not cute when everyone wears the same thing. I like to find pieces in the most random places I can, and incorporate them just as randomly. So my outfits never look like I pulled them straight off a mannequin. I will wear jeans and t-shirts, but I don’t think you’d ever catch me in khaki shorts and a polo with flip-flops. I see fashion as always trying to push the envelope, and I try to do that. Subtle things: dressing gender ambiguously, dyeing my hair, wearing S&M gear on a Monday afternoon… I think it’s funny when you get reactions out of people just by what clothing and accessories you wear. Read the rest of this entry »
By Brook Rosini
Winning poster for City in a Garden competition
Bienn – huh?
Venice may have the romance, the gondolas and the piazzas, but we have the indefatigable Mayor Emanuel, who is determined to make Chicago an international powerhouse of architecture and design. Along with an elite team that includes cultural commish Michelle Boone, Chicago Architecture Foundation head Lynn Osmond, placemaker Theaster Gates, “genius grant” winner Jeanne Gang, and co-directors Sarah Herda and Joseph Grima, the mayor announced that Chicago will host the first architecture Biennial in 2015. The event, which will take place in venues throughout the city between October 2015 and January 2016, is meant to establish Chicago as a destination for global design aficionados. During the announcement, everyone was united in support, but no agreement was reached in how to pronounce “Biennial.” Some favored the Italianate bienn-ally. Others said “Bi-annial,” as in bylaw or bicycle. Still others mumbled.
Dare to be indifferent
Emblazoned above the entrance to the new Ed Paschke Art Center is a quote by Paschke himself about his own work: “They either love it or hate it but rarely are they indifferent to it.” The new museum, which is free to the public seven days a week, opened on June 22—what would have been the deceased Chicago artist’s seventy-fifth birthday. Located in Jefferson Park, the space is home to the largest collection of the Imagist’s colorful, fun house paintings (many of which are currently on view in the center’s inaugural exhibition), and will eventually also exhibit local contemporary artists’ work and house an artist residency program. Read the rest of this entry »
Alanna Zaritz and Gábor Hizó were attending the opening of the CHGO DSGN exhibit at the Cultural Center.
What was it like for you to dress fashionably during pregnancy?
AZ: There wasn’t a noticeable size change until twenty weeks in, at which point I had to decommission jeans for leggings. Voluminous became my keyword. In a way, it simplified dressing because the wearable portion of my closet became much smaller.
Did you buy any maternity wear or did you mostly adapt what you already owned?
AZ: Since I’ve always liked loose, slouchy silhouettes, I’ve been mostly able to keep wearing the same gear in different ways. Being thrifty, the idea of purchasing a new and temporary wardrobe was just appalling. I sort of took a Donna Karan Seven Easy Pieces approach and bought black maternity leggings, a maxi dress, a turtleneck and a T-shirt. These became layering pieces over which I could still do a cool jacket or sweatshirt. I upped my flats game, weather permitting, with crazy loafers and heavy-lug punk sandals. Read the rest of this entry »
By Brook Rosini
These days, designers of all stripes favor approaches like sustainability, green design, local sourcing and creative placemaking. And those trends aren’t going anywhere. If anything, they’re gaining more traction, thanks to superstars like artist Theaster Gates—recently named number 11 on Fast Company’s list of 100 Most Creative People in Business for his work transforming blighted neighborhoods—and starchitect Bjarke Ingels, whose cost- and resource-sensitive firm, BIG, created a proposal that was shortlisted for the Navy Pier redesign in 2012.
Chicago’s artists, designers and creatives are all about refiguring the urban fabric in ways that galvanize, empower and create a sense of civic pride and social agency amongst the citizenry—while doing no harm. But there are always outliers. Last week, The Sun-Times reported that the city has officially released an RFP to light up Chicago’s bridges, Riverwalk and iconic buildings in support of Rahm Emanuel’s efforts to make Chicago a “world-class” destination. On the one hand, who doesn’t love a little glow on the water? On the other, tacking up a string of lights can be tacky. Is Chicago not already a city of world-class amenities? Do our iconic towers really require adornment? And what of the fact that many Chicago buildings actually turn their lights down—or even off—twice annually to spare migratory birds an unpleasant fate of death by skyscraper?
We’re no Paris on the Chicago River; we’re Chicago. And this being Chicago, opinions on the matter abound—but we’ll have to wait until later this summer to see how it all shakes out. Read the rest of this entry »
NeoCon is a three-day bender masquerading as a furniture showcase/Photo: Seth Unger
If you had a tough time getting an Uber pickup last week, it was likely because you were in cab competition with 40,000 designers who descended on the Merchandise Mart for NeoCon 2014, the largest furniture design fair in North America. Catering to architecture and design professionals, the three-day event is a nexus of product manufacturers and vendors rolling out their newest, shiniest products and prototypes for masses to coo over, sit on, unabashedly critique, and perhaps even buy.
I went to NeoCon in hopes that I could piece together some semblance of meaning to it all—call it a pendant light at the end of the tunnel. Here are some notes from the three days of interior design madness. Read the rest of this entry »
By Jason Foumberg
Chicago-based architect Jimenez Lai is a UIC professor and principal of Bureau Spectacular. This summer he debuts a pavilion for Taiwan (he was born there but grew up in Toronto) at the Venice Architecture Biennale, a prestigious international competition, opening on June 7. For Venice, Lai imagined nine new habitats installed inside Venice’s Palazzo delle Prigioni, a prison palace famed for its Bridge of Sighs. Lai’s “Township of Domestic Parts” nods to “The Little Prince” and its single-use planets, as visitors can hop among these structures, called “superfurniture,” to experience the particularities of Taiwanese life and culture, as redesigned by Lai. The architect recently gave Newcity a walk-through of several of his re-imagined houses.
House for Pleasure
The Taiwanese, like Americans, often have two distinct living rooms. Says Lai, “There’s the living room that nobody ever goes to, where you put your picture frames and your best silverware and ceramics. It’s a display of the idea of a home. Then there’s the living room that you abuse. It has the couch, the TV, you eat there. It’s often sloppy. You don’t bring guests there.” This house is shaped like a giant sofa. Read the rest of this entry »
Fashion buyer Shaina Van Selus was attending After Dark, an event hosted by the Evening Associates of the Art Institute of Chicago.
What inspired your look? How did you compose it?
Chicago doesn’t really get enough weather where you can wear a capelet and a French Connection sweater dress so I’m always ready to take advantage of that when it happens. As far as the rest of my look, I pretty much just keep adding accessories until I’m about to fall over or one of my gay friends indicates their disapproval with a wince.
What do you think people should wear for after-hours parties at museums?
The attendees are as much a part of the exhibit as the art on display. I always appreciate when people bring their best looks out. It’s not really a cultural cosmopolitan event if everyone is dressed down. Look down. Are you in sweatpants? Go home.
Read the rest of this entry »
Holly Hunt’s Odense chairs are instantly recognizable.
By F. Philip Barash
In a story destined for myth, Rick Valicenti tells of being first approached by the City’s Department of Cultural Affairs and Special Events about curating an exhibition on recent graphic and object design. He was interested but asked for time to research before agreeing to take on the project. Valicenti surfed the web, following links from one designer’s website to the next and, by way of bread crumbs, collecting jpegs along his journey. A meeting had been scheduled. Valicenti walked into the city’s offices carrying bound, 200-page books bursting with images. “Let’s start at the end,” he said. “Let’s pretend the exhibit happened and here’s your catalog.” The effect of the catalog prototype, and of the exhibition CHGO DSGN, now on view at the Cultural Center, is cumulative. The exhibition comprises work from more than 100 Chicago-based designers and spans decades. It takes the better part of an afternoon to look at everything, but that might miss the point anyhow. The way to approach an exhibition like this is by squinting at it, by perceiving in soft focus a massive, joyful blob of color and shape.
Wandering, thus asquint, through the exhibition gallery in the Cultural Center, you are startled by the uncanny familiarity of it all. Here’s the bullseye of Target’s corporate identity, designed by legendary agency Unimark International. Here’s Holly Hunt’s Odense chair, recognizable to anyone who’s ever paged through a glossy interior design magazine. Here’s a long row of books whose covers were affectionately designed by Isaac Tobin, working in-house at the University of Chicago Press. Here’s the ubiquitous “You Are Beautiful” mantra, created on a lark by Matthew Hoffman. Here’s a pair of sweet kicks, Converse’s collaboration with restaurateur and artist Cody Hudson. Here’s a shelf of Goose Island’s 312 Urban Wheat Ale bottles, their packaging developed by VSA Partners. (Void of content, display bottles taunt the thirsty.) Here’s a Divvy bike. Illustrations for Newsweek. Logo variations for IBM. Posters for plays and festivals. A box of chocolates. Tote bags. Booze. Postcards, some addressed and some not. Stuff. Read the rest of this entry »
Art student Rose Bud Doetsch was about to have lunch in Logan Square with her family and friends.
Can you tell me about your beautiful name?
My name Rose Bud came from my great grandmother Rose and great grandfather Bud.
Do you feel like you’re flourishing this spring? What do you feel like wearing now that it’s warm out?
Yes! Instant happiness now that the weather is better. I’ve been wearing loads of baby doll dresses with Doc Martens along with high-waisted shorts.
Every rose has its thorn. What do you do to toughen up your look?
I suppose my tattoos and piercings do that for me. I love to contrast my natural “tough girl” look by dressing in floral prints and other cute things.
Read the rest of this entry »