“We shall leave, for remembrance, one rusty iron heart.”
—Nelson Algren, “City on the Make”
What’s rattling around that rusty heart some fifty years hence Algren’s lovingly caustic sendoff? For some, a boomtown of glass-sheathed skyscraping ambition and beautifully manicured space. For others, a city on the brink, potholed with equal parts resilience and resilient decay.
Maybe not so much has changed. Maybe this bifurcated nature—what Algren called the “Janus-faced city” and what might today just be called a condition of “the Global City”—has always been an elemental part of the city’s framework. From the Gilded Age splendor of Prairie Avenue hulking over Jane Addams masses, to Operation Breadbasket pushing up against Gold Coast shores, it’s a city aggressively unsure of how sure a place it is.
These multitudes play out in the city’s streets everyday, where the design of the city’s buildings, parks, transportation networks and policies all inform the way we go about our daily lives. It’s design that makes Chicago, and Chicago, long home to the most transcendent of American design moments and movements, makes design.
The skyscraper. The Chicago window. The Chicago School. Reversing the river—engineering design. The Chicago School of Sociology. Modernism. Milton Friedman. Mies. The Second Chicago School. The Riverwalk and the reclamation of public space.
While grounded and formed in Chicago, these moments, in their particular time, have influenced the design of much of the modern world. And now, on the occasion of the first North American biennial dedicated solely to architectural thought and design, Chicago is its port.
The Chicago Architecture Biennial is here. Three months of programming featuring over 100 firms and designers from around the world, and hundreds of lectures, events and happenings. A brawling, open salon that picks up the conversation Chicago has never stopped having.
Newcity is here.
—Ben Schulman
The State of the Art of Architecture: 2015 vs. 1977
Public Housing Like You’ve Never Seen: Tatiana Bilbao Brings Low-Cost Modular Home to Chicago
Stony Island Arts Bank: Theater Gates Opens a Repository for Cultural Assets of the Black Community
“Wow!” Interpreting the Language of Architecture with Ania Jaworska
Man on the Lake: Paul Preissner’s Lakefront Kiosk
Fields of Color: Amanda Williams Brightens the South Side
The Transformative Power of David Adjaye: Making Place in Chicago
Shaping Spaces and Building Structures: Barbara Kasten at the Graham Foundation
Biennial Beat: The City’s Architectural Insiders Share Their Biennial Picks
Ben Schulman is the editor of the design section of Newcity and co-host of “A Lot You Got to Holler,” the Newcity podcast on design, architecture and urbanism. His work with Newcity is one of many ventures he engages in to communicate the value of design and cities. Ben serves as the communications director for Small Change, a real estate crowdfunding platform that works to catalyze the development of transformative real estate projects. Previously, he was the communications director for the Chicago chapter of The American Institute of Architects, editor of Chicago Architect magazine and communications director for the urban think-tank, the Congress for the New Urbanism (CNU). His writing has appeared and been noted in outlets such as ARCHITECT Magazine, Belt Magazine, ICON, New Geography, Streetsblog, The National Review, The Pittsburgh Post-Gazette, Pop City Media and as a contributor to The Urbanophile, among others. When not writing about cities, Ben serves as an editorial assistant for the journal New Media + Society, and helps head the Contraphonic Sound Series, an attempt to document cities through sound.
Contact: ben@newcity.com | Website: benschulman.com