Marquise do Ibirapuera (Ibirapuera Park Marquise), São Paulo, Brazil, designed by Oscar Niemeyer, 1951–54/Photo: Leonardo Finotti, 2007. © Leonardo Finotti1
Jeremiah Hulsebos-Spofford: Near Eternity
(Elmhurst Art Museum)
Everyday materials become uncanny, maximalist environments that blur craft, ornament and illusion across the McCormick House and surrounding grounds.
Through August 23
2
Tanya Aguiñiga
(Volume Gallery)
The Los Angeles-based artist and designer merges craft, installation and social practice, using material as a way to explore identity, labor and interconnectedness.
Through July 25
3
Anne Frank The Exhibition
(Griffin Museum of Science and Industry)
A full-scale reconstruction of the secret Annex and more than 130 original artifacts trace a life and legacy through immersive exhibition design.
Through early 2027
4
Latinitudes: A Collection of Latin American Modern Architecture
(Graham Foundation)
More than a hundred photographs survey modern architecture across twelve Latin American cities, expanding histories often sidelined by the canon.
Through July 18
5
Joe Feddersen: Urban Drama
(Volume Gallery)
Printmaking, weaving and graphic symbolism connect contemporary life to landscape, infrastructure and Indigenous visual traditions.
Through July 25

Greek-born Vasia Rigou is a writer, editor, and curator. Her appreciation for art began early, shaped by her family’s meticulously planned, culture-packed trips across Europe—complete with every museum stop imaginable. Much of her work, writing about visual art, design, and culture can be found at Newcity, Chicago’s leading culture publication, where she serves as editor. She also regularly contributes to Artnet News and to international magazines OnOffice and ICON. In her curatorial practice she explores themes of identity, intimacy, and belonging. You can usually find her gallery hopping around the city—occasionally with her toughest (and tiniest) critic, baby Benjamin, whose current favorite medium is finger paint. Say hi on Instagram or at rigouvasia.com.



